Sunday, July 19, 2009
Thursday, July 9, 2009
How Do Vegeta And Bulma Fall In Love
Hempt Hämd Hemnd - Exhibition II
MODEBAU is a group of women artists and artists of the University of Applied Arts, Textile Department - free applied and experimental artistic design. It combines the interests of textile and fashion bodies - a critical distance to the business context. We could
the Austrian textile company Gloriette, which looks back on more than 100-year tradition of shirt production, convinced of our project and for a material gain Gloriette sponsorship.
It is important to us that Gloriette his success to environmental and social values, as well as quality in design and workmanship and not the market principles "fast and cheap," follows.
exhibitions
July 2009 in the shop window, Looshaus
Work-In-Progress exhibition Hempt, HÄMD, Hemnd ", Part 2
March 2009 in the shop window, Looshaus
Work-In-Progress exhibition Hempt, Hämd, Hemnd", Part 1
Untitled
Christine Schöpf
My interest in the adaptation of a white men's shirt is in my female body. About the size that results due to the smaller body size is not sewn to the inside and covered it, but - according to the same principles as the creases of my shirt to the work-in-progress exhibition I - visible made and understood as a formative factor.
Here's a tailor's the other way at work that followed not only practices of adapting and taking away.
villagers Christina
SARROCK
A Sarrock was born in the Middle Ages as protective clothing for military and consisted of several layers of quilted fabric. My approach to work out the white men's shirt back to its origin as protective clothing and defines the attributes of a textile armor for the present re:
Hempt_Nr.1
was reinforced with fully padded inserts and quilted, a room filling volume formed on the body.
Hämd_Nr.2.
auswattierte channels run through the white Hämd_Nr.2 how abstracted strengthen muscle fibers and protect the wearer's body.
Hemnd_Nr.3.
in progress
elastic embossing
Sandra Duke
starting point of my work were imprints caused by upbringing, society and experience. With the coming of the costume Stifteltechnik is a structure defined by the unexpectedly allows the use of elastic threads of movement. My concentration
now lies in the development of interior and exterior. The outside of the predetermined pattern mediated by clarity and structured nature, in contrast, shows the inside of vitality and individuality. The differently shaped bodies require different postures and emotions.
folding tracks
Walter Lunzer
controlled, accurate folding of shirts and is the basic theme of the work. This involves the search for creative leeway within these conventions.
starting point was the five unconventional folded shirts Work in Progress I. The exhibition focused on the visualization of the folds by different techniques. The shirts are folded passes through the edits, the original folding in the background. From the rules of the folding instruction patterns are the folds of the shirt or dissolve.
SHIRT BODY
Claire Chatel
After I cut the shirt into its individual pattern pieces, I have specifically focused on two parts, which symbolize the shirt as a whole:
collar and cuff
These fragments make the formal shirt, the uniformity and the universal expression. In contrast
to this is the body shape that pulls the trigger through the material of the shirt for the individual and personal expression.
The embroidery of the personal is turned inside
shown and that behind the general well is something special.
goal of my study is to know in how far uniformity and physical expression to exclude a relationship-wise.
BETRÜGERCHEN (coll, Serviteur)
Manora Auersperg
Betrügerchen The work draws on the white shirt in its function of social regulation. As Image carrier serves the shirt front (called Serviteur) are negotiated as a "small pantry," on the possibilities of individuation and conformity. The requirements that meets the white shirt in his representative role for the public is opposed to the intimacy of the spot.
Through the intense devotion of the embroidery holds the track of an involuntary "mistake" and, in its assessment in question.
MODEBAU is a group of women artists and artists of the University of Applied Arts, Textile Department - free applied and experimental artistic design. It combines the interests of textile and fashion bodies - a critical distance to the business context. We could
the Austrian textile company Gloriette, which looks back on more than 100-year tradition of shirt production, convinced of our project and for a material gain Gloriette sponsorship.
It is important to us that Gloriette his success to environmental and social values, as well as quality in design and workmanship and not the market principles "fast and cheap," follows.
exhibitions
July 2009 in the shop window, Looshaus
Work-In-Progress exhibition Hempt, HÄMD, Hemnd ", Part 2
March 2009 in the shop window, Looshaus
Work-In-Progress exhibition Hempt, Hämd, Hemnd", Part 1
Untitled Christine Schöpf
My interest in the adaptation of a white men's shirt is in my female body. About the size that results due to the smaller body size is not sewn to the inside and covered it, but - according to the same principles as the creases of my shirt to the work-in-progress exhibition I - visible made and understood as a formative factor.
Here's a tailor's the other way at work that followed not only practices of adapting and taking away.
villagers Christina SARROCK
A Sarrock was born in the Middle Ages as protective clothing for military and consisted of several layers of quilted fabric. My approach to work out the white men's shirt back to its origin as protective clothing and defines the attributes of a textile armor for the present re:
Hempt_Nr.1
was reinforced with fully padded inserts and quilted, a room filling volume formed on the body.
Hämd_Nr.2.
auswattierte channels run through the white Hämd_Nr.2 how abstracted strengthen muscle fibers and protect the wearer's body.
Hemnd_Nr.3.
in progress
elastic embossing Sandra Duke
starting point of my work were imprints caused by upbringing, society and experience. With the coming of the costume Stifteltechnik is a structure defined by the unexpectedly allows the use of elastic threads of movement. My concentration
now lies in the development of interior and exterior. The outside of the predetermined pattern mediated by clarity and structured nature, in contrast, shows the inside of vitality and individuality. The differently shaped bodies require different postures and emotions.
folding tracks Walter Lunzer
controlled, accurate folding of shirts and is the basic theme of the work. This involves the search for creative leeway within these conventions.
starting point was the five unconventional folded shirts Work in Progress I. The exhibition focused on the visualization of the folds by different techniques. The shirts are folded passes through the edits, the original folding in the background. From the rules of the folding instruction patterns are the folds of the shirt or dissolve.
SHIRT BODY Claire Chatel
After I cut the shirt into its individual pattern pieces, I have specifically focused on two parts, which symbolize the shirt as a whole:
collar and cuff
These fragments make the formal shirt, the uniformity and the universal expression. In contrast
to this is the body shape that pulls the trigger through the material of the shirt for the individual and personal expression.
The embroidery of the personal is turned inside
shown and that behind the general well is something special.
goal of my study is to know in how far uniformity and physical expression to exclude a relationship-wise.
BETRÜGERCHEN (coll, Serviteur) Manora Auersperg
Through the intense devotion of the embroidery holds the track of an involuntary "mistake" and, in its assessment in question.
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